КОЛИВАННЯ ЧАСУ В ДАВНЬОЄГИПЕТСЬКІЙ РЕЛІГІЇ ТА МИСТЕЦТВІ: УРОБОРОС ЯК АРХЕТИП ДЛЯ МЕТАФІЗИКИ ВІЧНОСТІ
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Анотація
У цій статті розглядається не лише концепт часу, як реалізації (звідси й віртуальне Einfühlung часу як такого), а й детально обговорюється час, що репрезентований на давньоєгипетських витворах мистецтва з конкретним акцентом на архетипі Уробороса (єг.: sd-m-rA), і його семантика як у його давньоєгипетських уявленнях, так і в алхімії. Завдячуючи барвистій призмі метафізичної або теологічної концепції часу та вічності, як їх розуміли стародавні мешканці долини Нілу, ми наразі можемо відтворити їхні правдоподібні уявлення про час, прагнення до вічності, а також перевірити способи, якими ми могли б скористатися, щоб досліджувати поняття часу щодо конкретних створених ними художніх форм і вивчити їх. Те, як анонімні давньоєгипетські художники, для яких значення мистецтва (Hmt) було відмінним від того, яким воно є для нас сьогодні, оскільки для них “мистецтво” використовувалося тільки як засіб для віртуального θέωσις і прагнення до вічності, задумали і зобразили час на своїх артефактах (особливо в період розквіту епохи фараонів: із 2575 р. до н. е. по 714 р. до н. е.), також дає надійні підстави для того, щоб оцінити філософські та естетично значущі уявлення про час в історії мистецтва стародавніх середземноморських народів, серед яких Єгипет займає дуже високе місце.
Як цитувати
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(юнгівські) архетипи, алхімія, вічність, давньоєгипетський світогляд, масонство, мистецтво, стародавня космологія, сучасна космологія, Уроборос, час
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