STRUCTURAL AND COMPOSITIONAL PECULIARITIES OF THE NOVEL “WEDDING SONG” BY NAGUIB MAHFOUZ (“AFRĀḤ AL-QUBBA”)

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  O. Khomitska

Abstract

This article explores specific structural and compositional features of Naguib Mahfouz’s novel “Wedding Song” (“Afrah al-qubba”), highlights the value of the work in the context of contemporary literature of Egypt. The article also actualizes critical polemics around the novel in modern Ukrainian studies.

How to Cite

Khomitska, O. (2013). STRUCTURAL AND COMPOSITIONAL PECULIARITIES OF THE NOVEL “WEDDING SONG” BY NAGUIB MAHFOUZ (“AFRĀḤ AL-QUBBA”). The Oriental Studies, (61), 198-204. https://doi.org/10.15407/skhodoznavstvo2013.61.198
Article views: 8 | PDF Downloads: 7

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Keywords

Compositional Peculiarities, Naguib Mahfouz, Novel “Wedding Song”, Structural, “AFRĀḤ AL-QUBBA”

References
Кирпиченко В. Н., Сафронов В. В. История египетской литературы XIX–XX веков. Том 2. Москва, 2003.
Нагиб Махфуз. Торжество возвышенного / Пер. с араб. В. Зарытовской. Москва, 2008.
David F. DiMeo. Mahfouz between Lukacsian and Brechtain Approaches to Realism // CLCWeb: Comparative Literature and Culture. Vol. 12. Purdue University Press, 2010. https://doi.org/10.7771/1481-4374.1536
Kadhim Jihad Hassan. Le roman arabe. Paris, 2006.
Stefan G. Meyer. The Experimental Arabic Novel: Postcolonial Literary Modernism in the Levant. State University of New York Press, 2001.
REFERENCES
Kirpichenko V. N. and Safronov V. V. (2003), Istoriya egipetskoy literatury XIX–XX vekov, Vol. 2, Moscow. (In Russian).
Nagib Makhfuz (2008), Torzhestvo vozvyshennogo, Transl. by s arab. V. Zarytovskoy, Moscow. (In Russian).
David F. DiMeo (2010), “Mahfouz between Lukacsian and Brechtain Approaches to Realism”, CLCWeb: Comparative Literature and Culture, Vol. 12, Purdue University Press. https://doi.org/10.7771/1481-4374.1536
Kadhim Jihad Hassan (2006), Le roman arabe, Paris.
Stefan G. Meyer (2001), The Experimental Arabic Novel: Postcolonial Literary Modernism in the Levant, State University of New York Press.